Stylometry online dating

The surfaces of objects are sometimes so abstracted that they are cleansed of their natural texture, for instance, the reflections that would be expected to be observed.

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However, abstraction, which we inevitably associate with twentieth-century abstract painting, has no exact correspondence in seventeenth-century art discussion.

The closest concept is that of idealization, by which classically-oriented painters sought to divest the world of imperfections and transmit fundamental religious and ethical truths that were considered the only worthy objectives of the art of painting.

Drawing was considered to be the essential requirement for painting.

Thus, the manipulation of the so-called was more important than that of the brush.

The fundamental difference between the two concepts is that abstraction seeks to extract an underlying "truth" of reality on a general level, such that it can be true of many cases, while idealization involves a premise, which can skew reality to a predetermined result making it potentially misleading.

In Vermeer's paintings shapes are abstracted, on a few occasions to the point of becoming unrecognizable.A loss of media or scratches, often resulting in a loss on the surface, extending to the paint and ground layers, caused by faulty cleaning, friction as well as where the frame touches the painted surface.The abstract qualities in art are those which are independent of a work's resemblance to external reality.This glossary contains a number of recurrent terms found on the present site which may not be clear to all readers, especially when employed within the context of an art discussion.Some of these terms, signaled by an icon of the Vermeer's monogram and signature, are also discussed as they relate to specifically Vermeer's art.The Roman Accademia reflects the modern notions of an artistic academy rather than a perpetuation of the medieval guild system.

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