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Any remaining in the “nurse’s room” after that date will be discarded.5.

The Bolshevik government, traditionalists at heart and worried at their lack of control of this anarchic movement, suppressed it replacing it with a manageable propaganda based culture of uplifting, popular socialist realism; many of the former avant-garde were murdered, imprisoned or sidelined for the rest of their lives.

Similarly in the early period of Nazi Germany (1933 onwards), Hitler’s government made moves to embrace Futurism and Modernism (for example; Marinetti’s Berlin Futurist Exhibition of 1934, Sponsored by Goebbels and the Nazi Kdf organisation and the final Berlin Bauhaus before it’s exile to the USA).

’120 Years Of Electronic Music’ is an ongoing web project initiated in 1995 by the author and musician [email protected]

The project is completely non-commercial and self funded.

The domain uses a Commercial suffix and it's server(s) are located in N/A with the IP number 173.2 and it is a domain.

The domain uses a Commercial suffix and it's server(s) are located in N/A with the IP number 80.150.6.143 and it is a domain.

Kock (4) 120 Years of Electronic Music* is a project that outlines and analyses the history and development of electronic musical instruments from around 1880 onwards.

This project defines ‘Electronic Musical Instrument’ as an instruments that generate sounds from a purely electronic source rather than electro-mechanically or electro-acoustically (However the boundaries of this definition do become blurred with, say, Tone Wheel Generators and tape manipulation of the Musique Concrète era).

The aim is to make the information available on a free/open source basis i.e.

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